From Cell to Stage: C-Note's 'Redemption' Story Mirrors 'Sing Sing''s Message of Hope

Donald "C-Note" Hooker's remarkable journey from a California prison cell to the stage and beyond mirrors the inspiring message of the 2023 film Sing Sing.

The clang of metal bars, the echo of footsteps on cold concrete, the weight of confinement pressing down on the human spirit. These are the harsh realities of life behind bars, a world often devoid of hope and opportunity. But amidst the bleakness, a flicker of light emerges – the transformative power of art, showcasing the enduring power of prison theater programs to break chains and build bridges. C-Note, an incarcerated artist and advocate, found his voice and purpose through his involvement in the play Redemption in Our State of Blues. His story is a testament to the resilience of the human spirit and the ability to find redemption and hope even in the most challenging circumstances.

"Sing Sing": A Cinematic Ode to Hope

The 2023 film Sing Sing serves as a powerful testament to the transformative potential of art within the confines of a prison. It tells the story of a group of incarcerated men at Sing Sing Correctional Facility who find solace, purpose, and a sense of community through their participation in a theater program. The film beautifully portrays the struggles and triumphs of these men as they navigate the complexities of life behind bars while discovering their hidden talents and passions.

Through their involvement in the theater program, the characters in Sing Sing experience a profound shift in their perspectives. They learn to express themselves creatively, confront their past mistakes, and envision a brighter future. The film highlights the importance of human connection, empathy, and the power of second chances, even in the most challenging of environments.

Sing Sing is not merely a work of fiction; it draws inspiration from the real-life Rehabilitation Through the Arts program at Sing Sing Correctional Facility. This program, and others like it, have demonstrated remarkable success in reducing recidivism rates and fostering rehabilitation among incarcerated individuals. The film's portrayal of these efforts serves as a poignant reminder of the potential for positive change within the prison system and the enduring power of art to inspire hope and transformation.

C-Note's "Redemption": A Real-Life Echo

A decade before Sing Sing graced the silver screen, a real-life drama unfolded within the walls of the California State Prison Los Angeles County in Lancaster. Redemption in Our State of Blues, written and performed entirely by incarcerated individuals, echoed the film's powerful message of hope and second chances. This production served as a testament to the enduring power of art to transcend barriers and ignite the human spirit, even in the most challenging of circumstances.

At the heart of this remarkable production was Donald "C-Note" Hooker. More than just a cast member, C-Note emerged as a leader, inspiring and motivating his fellow inmates. "Birth of a Salesman," a play on Arthur Miller's Death of a Salesman, written, performed, and directed by C-Note was unanimously nominated by his fellow cast members as Redemption's opening act.

C-Note's dedication to the project fostered a sense of community and purpose, breaking down both racial and gang tensions and building bridges between individuals from diverse backgrounds. As the directors of The Strindberg Laboratory, the non-profit theater company behind the production, observed, "They have a voice and they've started to find what they want to say." C-Note's passion and commitment were instrumental in helping his fellow inmates discover their own voices and express their deepest truths through the power of theater.

The play itself delved into profound themes of redemption, love, community, and hope, mirroring the sentiments expressed in Sing Sing. Redemption consisted of eleven original scenes with raps, songs and poems that showcased the raw emotions and experiences of incarcerated individuals, offering a glimpse into their struggles, dreams, and aspirations. Through powerful scenes, poignant monologues, and heartfelt songs, Redemption in Our State of Blues painted a vivid portrait of the human spirit's resilience and its capacity for transformation, even in the face of adversity.

C-Note's leadership and the play's impact were so profound that it led to an encore performance in February 2016. This encore became a highly sought-after event in Los Angeles, drawing the attention of local politicians, dignitaries, and even Hollywood figures like movie producer Scott Budnick and actor Joe Manganiello. The play's message resonated far beyond the prison walls, garnering coverage from local and national press, including PBS SoCal, ABC - Los Angeles (KABC), and PEOPLE Magazine.

Moreover, Redemption in Our State of Blues sparked a groundbreaking initiative. Over $500,000 in public-private funding was secured to launch the first-in-the-nation prison re-entry program called "BREAK IT TO MAKE IT (BITMI): Busting Barriers for the Incarcerated." BITMI offers a comprehensive support system for incarcerated and formerly incarcerated individuals, providing two years of free housing from the Los Angeles Mission, two years of free education from Los Angeles City College, and the opportunity to participate in the "jails to jobs" program, which offers paid theatrical work with The Strindberg Laboratory. This innovative program exemplifies the transformative power of art and its ability to create tangible pathways to successful reentry into society.

From Cell to Stage: C-Note's Artistic Evolution

C-Note's journey from a cast member in Redemption to a prolific playwright and filmmaker is a testament to the transformative power of artistic expression. His personal experiences within the prison system, coupled with the newfound confidence and creative outlet provided by the theater program, fueled his artistic fire.

As he delved deeper into his craft, C-Note's plays and films began to explore complex themes of incarceration, redemption, and the human condition. His works, include Life Without the Possibility of Parole (a prison play), written in 2016, this work draws attention to the 175 women prisoners at the Central California Women's Facility (CCWF) serving a sentence of Life Without the Possibility of Parole (LWOP) and California's attitude to discard these women.

Written in 2018, The Ghost of Charles Dickens's Christmas Carol explores themes of redemption and community as it follows the lives of individuals in challenging circumstances—those in an assisted living home (representing the past), a boys' home (the future), and a transitional home (the present).

Fathers and Sons (A play written by prisoners) is a compilation of 10 works written by prisoners, edited by C-Note and Mohammed White Ali in 2017. It features an original work by C-Note, "The Seed of Bonnie and Clyde (South Los Angeles Edition)," a gritty work of generational gang life and commitment, and the various destinations this kind of lifestyle leads to.

I Stand2 Vote was co-written in 2019 by Minister King X Pyeface and C-Note, prior to King parolling after serving 24 years, 6 in the feds and 18 in California's max security prisons. I Stand2 Vote takes place on the floor of the California State Assembly where advocates on both sides argue for and against restoring the voting franchise to prisoners.

Upon his release in 2019, King put on I Stand2 Vote at the inaugural Ratcliff Awards in December of 2019.

May 10, 2020, on the KAGE Universal YouTube channel, Minister King X Pyeface released a Hip Hop classic the political musical I Stand2 Vote as a bonus track on the Peace of Pye music video, Peace of Pye #1, With bonus unreleased soundtrack from the play, "I Stand 2 Vote".

Besides using a political musical to push the messaging of I Stand2 Vote, King made multiple pre-Covid health restriction visits to the California capitol to lobby lawmakers to support Proposition 17, a ballot initiative that would restore the voting rights of convicted felons on parole and those who were no longer on parole or probation.

In 2021, King was featured in the article, "The Juneteenth Superheroes," for his role during the global pandemic, of placing Yes on Proposition 17 door handles on 10,000 homes. In November of 2020, California voters passed Prop.17 into law, "California Voters Approve Prop. 17, Restoring Voting Rights to People Who Have Completed Prison Terms."

King's classic Hip Hop track I Stand2 Vote has been used by others to share the value of the voting franchise to This includes the Bay Area Block Report, who republished the political musical on YouTube in 2022, and has rebranded the title of the release for the 2024 November elections, here is Bay Area Block Report's I Stand2 Vote music video using King's Hip Hop track, "I Stand 2 Vote Minister King X Pyeface K.A.G.E Universal. [2024 Elections theme song]."

In 2021, King and C-Note would collaborate again, this time in a true inside-out fashion with the release of the 10:00 film short Abolish It. This pre Sing Sing story tells their story behind the wall together, and their involvement in the theater arts behind-the-wall, and their aspirations of going from the Kage to the Stage. "Abolish It" was featured in the interactive online exhibition Art on Abolition.

C-Note's evolution as an artist is a powerful reminder that creativity knows no bounds, even within the confines of prison walls. His work challenges stereotypes, promotes understanding, and inspires hope, demonstrating the profound impact that art can have on both individuals and communities.

Art as a Catalyst for Change

C-Note's artistic journey extends far beyond personal expression; it serves as a powerful tool for advocacy and social change. Through his plays and films, he sheds light on the often-unheard experiences of incarcerated individuals, challenging stereotypes and promoting understanding. His work humanizes those behind bars, reminding us that they are not defined by their past mistakes but rather by their potential for growth and redemption.

C-Note's advocacy extends beyond his creative output. He is an active member of K.A.G.E. Universal, a peace movement of prisoners, former prisoners, and their allies who believe in the transformative power of the arts. Through his involvement with K.A.G.E., C-Note actively works to empower incarcerated individuals and promote positive change within the prison system.

His dedication to using art as a catalyst for change echoes the central message of Sing Sing. Both the film and C-Note's story demonstrate the profound impact that creative expression can have on individuals and communities, fostering empathy, understanding, and ultimately, transformation.

The Ripple Effect: C-Note's Legacy

C-Note's impact reaches far beyond his personal transformation. His journey, from participating in Redemption in Our State of Blues to becoming a respected artist and advocate, has inspired countless individuals both inside and outside the prison system. His story shines as a beacon of hope, proving that even amidst adversity, the human spirit can find its voice and forge a brighter future.

The ripple effect of C-Note's work is a testament to the enduring power of prison theater programs. These programs not only provide opportunities for creative expression but also foster personal growth, build self-esteem, and promote rehabilitation. Research has consistently shown that arts programs in prisons can lead to reduced recidivism rates, improved mental health, and increased opportunities for successful reintegration into society.

C-Note's story is a powerful reminder of the potential that lies within each incarcerated individual. By supporting arts programs in prisons, we invest in the possibility of transformation, healing, and second chances. We create a ripple effect of hope that extends far beyond the prison walls, touching the lives of individuals, families, and communities.

However, despite the evident power of his story and the transformative potential of arts programs in prisons, one crucial community has remained largely indifferent: large foundations.

Philanthropy's Blind Spot: The Unseen Barriers

Since 2017, over $250 million has been pledged by donors like Agnes Gund and the Mellon Foundation to support arts and humanities projects related to the criminal justice system. While these initiatives have undoubtedly made a difference, C-Note's experience highlights a troubling disparity. Despite his prolific artistic output and advocacy work, he has yet to receive any financial support from these major philanthropic endeavors.

C-Note's frustration is palpable. As he eloquently tells Bold Journey Magazine, "You mean to tell me a quarter-billion in US dollars have been floating around in the Arts for the creation of criminal justice related Art, and I have not received a half a penny of this money?" His words underscore a sense of alienation and exclusion, a feeling that despite his significant contributions to the field, he remains on the periphery.

This disparity raises questions about the accessibility and inclusivity of grant-making processes within the philanthropic world. Are incarcerated artists like C-Note being overlooked or excluded due to systemic barriers or biases? Are their voices and experiences truly being valued and supported?

A Call for Change: Recognizing the Untapped Potential

Imagining Freedom, The Mellon Foundation's recent $125 million commitment to support currently incarcerated, formerly incarcerated, and arts and humanities groups engaging with the criminal justice system is commendable. However, C-Note's experience serves as a reminder that there is still much work to be done to ensure that these funds reach those who are most directly impacted by the system.

Incarcerated artists like C-Note possess unique perspectives and insights that can challenge prevailing narratives and inspire meaningful change. Their voices deserve to be heard, their talents nurtured, and their contributions financially recognized.

It is imperative that large foundations prioritize transparency, accessibility, and inclusivity in their grant-making processes. They must actively seek out and support artists who are directly impacted by the criminal justice system, ensuring that their voices are not silenced or marginalized. Especially when they are publicly making declaratory statements their funding is going directly to currently incarcerated content creators.

C-Note's story is a powerful reminder of the untapped potential that lies within prison walls. By breaking down barriers and building bridges between incarcerated artists and the philanthropic community, we can create a more just and equitable society where everyone has the opportunity to express their creativity and contribute to the cultural landscape.

Conclusion: A Legacy of Hope and Transformation

C-Note's journey from the stage of Redemption in Our State of Blues to a recognized artist and advocate is a testament to the enduring power of art and the resilience of the human spirit. His story, echoing the message of Sing Sing demonstrates that even in the face of adversity, creativity can flourish, and hope can prevail.

While the philanthropic community has made strides in supporting arts and humanities projects related to the criminal justice system, C-Note's experience highlights the need for greater inclusivity and accessibility. By actively seeking out and supporting incarcerated artists, we can ensure that their voices are heard and their talents are nurtured.

C-Note's legacy is one of transformation, both personal and societal. His work challenges us to look beyond stereotypes and recognize the humanity within every individual, regardless of their circumstances. He reminds us that art has the power to break chains, build bridges, and create a more just and equitable world for all.

As we celebrate C-Note's achievements and the impact of his art, let us also recommit ourselves to the fight for justice and equality. Let us continue to support programs that empower incarcerated individuals to find their voices, reclaim their lives, and contribute meaningfully to society. In the words of C-Note himself, "Peace is the new cool." Let us strive to create a world where that peace is not just a dream but a reality for all.